The square became pedestrian in 2022.
The square became pedestrian in 2022.
Estos jardines son los preferidos por los novios de Valencia para realizar las fotos de sus bodas.
The Renaissance cloister is already from the 16th century.
Except for the church, from 1838 on, the rest of the convent will be used as a Museum and School of Fine Arts.
Section VIII of the Turia Garden runs from the Real bridge to the Exposition bridge and its 75,600 m2 were thought, initially, as a popular plantation (tree festival).
At the end of the garden there is a small marble fountain with a ceramic bottom.
This plaza was opened in 1878, demolishing several blocks of buildings. In principle it was much smaller and had a triangular shape. The square took its current appearance in the reform of the year 1970, when an underground car park was built.
The building that can be seen in the background on the left, next to the San Martín tower, is the Casa Sánchez de León (1896), which together with the old storehouse La Isla de Cuba (1895), located opposite and that not seen in the photo, they form an ideal setting for the beginning of Calle de San Vicente. Both buildings were built by the architect Lucas García Cardona.
In 1444, faced with scandals, since the Trinitarian monastery had become a brothel, the monks were evicted and the convent was occupied by Poor Clare nuns.
In 1983 it was declared a National Historic-Artistic Site.
This square was formerly called Les Panses (raisins).
Here the event of poor Palleter took place, so named because he sold straw articles (palla in Valencian). On May 23, 1808, the Palleter declared war on Napoleon here, nothing more being known about him.
The land belonged to the Ministry of Agriculture. It was a horticultural station dedicated to research and experimentation.
This square was formed in the second half of the 19th century when some buildings were demolished. It is called del Tossal ( hill), because it is slightly elevated on the ground. The difference with the Market Square is 2.30 m.
This square is dedicated to the painter and illustrator from Albaida, José Segrelles. In the square is the building called Red Building.
On the tympanum of the Apostles' door is the Virgin Mary, to whom the cathedral is consecrated. All the statues on this cover, which were very deteriorated due to the poor quality of the stone, were replaced by copies. The originals are kept in the Cathedral Museum.