This hermitage of Gothic origin presents the appearance of the successive reforms of the seventeenth, eighteenth and nineteenth centuries. The façade was made by the architect Sebastián Monleón Estellés in 1860. In 2012 it was restored.
The Botanical Garden of Valencia has been enriched with trees from the five continents, some reaching a great height.
This church is of Gothic structure and its interior was decorated in the seventeenth century to the taste of the time. The neo-Gothic façade of the image was made in 1864.
Inside it keeps extraordinary paintings, highlighting a Renaissance crucifixion (15th century) by Rodrigo de Osona. The paintings in the vaults, made by Dionís Vidal, were restored in 2016.
Interior of the birth house of San Vicente Ferrer. Source from the vell.
The gates of Serranos never fulfilled a defensive function (they were never attacked). They did serve, as a reception for kings and for celebrations. These towers were also used as a prison from 1586 to 1887.
The street receives this name because several booksellers were established here between the 15th and 16th centuries.
Although of Gothic origin, most of the construction of this palace dates from the 18th century. Already in the twentieth century, it lost its back patio and was divided into two, one of the parts being used for housing. In the 90s of the 20th century it was rehabilitated and is currently the headquarters of the Valencia Stock Exchange. The Boïl de Arenós coat of arms still appears on its cover.
In the basement of the square there is the Tossal Gallery, an official exhibition center that preserves the remains of the Islamic wall of Balensiya: a square tower and a painting of the wall from the 12th century. Also an 11th century angled door.
This street is one of the most important in the Carmen neighborhood. In it there are numerous restaurants and cafes.
The first chocolate factory in Valencia was installed on this street, in 1760.
This street is so named because the Archbishop's Palace is located in it. In another time it was called, among other names, Baixada del Bisbe (Bishop's Bajada); by the small slope that there is until the square of Naples and Sicily.
The painting on the arch of the Portal de Valldigna is a reproduction of an original Gothic one and represents Jaime II founding the Royal Monastery of Santa María de la Valldigna.
The church is in the Gothic style typical of the Languedoc region of France, with a single nave and chapels located between buttresses. The first arch rests on capitals of clear Muslim origin. It was declared a National Monument in 1943 thanks to the intervention of Elías Tormo.
Since 1987, the church has been being restored and returned to its primitive Gothic style. Any baroque decoration that it had was removed, leaving only the chapel of Santa Bárbara, with its sgraffito from the end of the 17th century.
The paintings in the chapels, which appeared after the restoration of the church, are from the 13th century. The church was covered with lime on the inside since the 14th century, this has made the paintings very well preserved.
The round fountain in the rose garden of these gardens was previously in the Plaza de la Reina. The rose garden has approximately 6,000 roses of different species.
These gardens also have a wide variety of palm trees.
Inside the gardens is also the Museum of Natural Sciences, where the old paleontological collection of Rodrigo Botet is exhibited.